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daipeanutsaiban · 27 days ago

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some family headcanons (in order: van zieks, baskerville, asogi, holmes) not everyone has names yet 🫣💦

i wrote more details under the cut ⬇️ this info can also be viewed under the "tgaa oc guide" in my carrd (linked in my profile).

Holmes

Mycroft: he’s 7 years older than his brother in the ACD canon, but I wanted him to be around the same age as Klint and Lady Baskerville. He and Sherlock are 7 and 15 respectively here. I wanted his hair to be dark and over his eyes so it’d match his cynical attitude that things are about to go bad at any time. Also, it’s a nice contrast to Sherlock’s lightly toasted color, so you could say he got “burnt”. Mycroft usually wears gloves, both because he dislikes touching things directly and because he has a tendency to be dishonest (a classic character design trope - though it’s probably less obvious in a game where almost every character of the upper social classes will wear gloves due to the setting). Mycroft predominantly wears green (next to yellow on the color wheel). Despite his avoidant and anxious behaviours, he has a sharp tongue, and rarely addresses people by their proper title. For someone who wants to avoid trouble, he doesn’t try really hard to fit in due to being a contrarian in that aspect... he’s a genius, but he’s an idiot too (lol).

Sherlock: The most important thing is that he’s recognizable without being dressed identically to his adult self, because he hasn’t come into his own yet (and it would just make no sense). He’s wearing rather nice clothes since the Holmes family belongs to the gentry class, but my friend suggested that his clothes would be dirty often since he’s crawling around trying to “solve cases” all the time, and I really love that idea. His mother is probably despairing about it. Sherlock takes himself very seriously at this age, but of course he says ridiculous things all the time.

Father (unnamed): I wanted the brothers to have a point of reference or inspiration for their creativity with inventions and general resourcefulness, so he’s a toymaker who specializes in automata. Mycroft learned from him for some time until he eventually surpassed him due to his inherent genius, but Sherlock lost interest quickly despite also showing talent. Their father is a friendly man whose work usually keeps busy, and he’s on good terms with his wife. I’m undecided on whether the toy shop should be connected to their house or not.

Mother (unnamed): I really wanted her to look like her youngest son without being an exact replica of him, with a simple and uncomplicated design. She’s a housewife with no other occupation officially, but she��s adept at sewing and often takes on requests from friends and neighbours. She also makes clothes for her husband’s creations, as well as for her children. Will dress up Mycroft and Sherlock in dresses on occasion, sometimes to get back at them for causing trouble and sometimes just to try out designs. Sherlock doesn’t mind it, and neither does Mycroft though he’s annoyed at the “punishment” since it’s usually his brother who ropes him into trouble. Their mother is constantly fatigued by their antics, so I feel a little bad for her (their father is more easygoing, so he doesn’t get as stressed out by their sons). Her relationship with her oldest son was complicated for some time due to his tendency to withdraw from the world, but her youngest helped her understand that his brother does love her in his own ways.

Van Zieks

I tried my best to incorporate angel motifs in their design to reflect Barok’s “fallen angel” motif later in life, hence why his and Klint’s father has white hair for example. The feather lace on their mother’s sleeves was a last minute addition; I think I’ll revisit their designs again soon. Klint wears his hair the same as he does as an adult to keep him recognizable, but I think it’d be funny if when he was very young it was parted on the side and he hated it or something.

Claes: Their father’s name. It’s Dutch and pronounced “Klaus”, but I keep pronouncing it wrong (a little bit on purpose because I like the sound of it spelled out). He has a constant poker face, but he’s actually the most affectionate parent in this entire lineup..! He’s meant to be smiling in the drawing, but a stranger wouldn’t be able to tell. I love characters whose personality subverts our expectations we’d usually have based on their appearance, so he looks and acts very seriously but would rather spend time at home with his family and hates going to work (lol). Also fond of cute, small, and typically “feminine” things, but he keeps that part of him a secret since it’d be frowned upon for a man in this era, especially within the upper class which is all about appearance (his wife is aware of it, though). Maybe that’s why he dotes on his kids so much? He’s very corny as well and has plenty of nicknames for his wife and children, which Klint hated at this age. I also wanted Claes to be the same height as Stronghart, with an imposing build and expression, so that the next authority figure in the brothers’ lives following his death would “fill” the gap he left. But that didn’t end so well, did it...

Evana: Their mother’s name. Similarly to Claes, her personality is meant to subvert her elegant appearance. She’s a complete airhead and once got lost in her own house. Evana is nonetheless stricter than her husband towards her children and puts a lot of emphasis on what is or isn’t proper. She’s in tune with trends and gossip as is expected of a lady in her position, and might come across as superficial to some, but she is very loving. When young Lady Baskerville would visit, she and her future mother-in-law would get along tremendously well (to Klint’s annoyance as he also wanted to spend time with his fiancee but couldn’t relate to most of their conversations). Evana had the most religious faith among the van Zieks, and would encourage virtue, integrity, and nobility of character above all else in her children.

Barok and Klint: Two well-behaved, beloved children. Barok is of course the little darling after all; I think Klint was probably the more rebellious one but became very serious after their parents’ death with all the responsibilities now on his shoulders. That was probably a very lonely period for Barok, until his brother cheered up again.

Baskerville

Primrose (Lady Baskerville): In flower language, her name means “I can’t live without you”. I didn't know this at the time I named her, but it fits the story very well, so thank you to my friend who taught me this! Primrose’s outlook is very unconventional for the era and especially at her young age, but she’s grown disillusioned with her lot in life as well as men following her mother’s death. I wanted her to be the only one in the family to be a redhead to reflect how she’s not fitting the mould with her assertive and brash personality, and how she feels "out of place". Her father dresses her in very impractical, often white dresses to assert his control over her as a form of “love”; to thwart her tendency to sneak out of the house without permission and participate in unladylike activities.

Her and Klint become codependent on each other following his own parents’ passing and promise to marry each other even though Lord Baskerville is set on finding his daughter a suitor with a more stable future.

The woman is her stepmother, and the others are her father and her half-brother. Since I’m working on a project involving all of them, I don’t want to reveal too much about them yet. All I can say is that it’s not a happy home, and no one in particularly close to each other (except the twins, maybe)...

Asogi

Genshin: I imagined he used to be short and got his growth spurt late (shown at around 12 years old here). Genshin looks a lot like Kazuma due to his eyes and nose, but thankfully he has a distinctive hairstyle already. I'd like to think he grows out his hair at around fifteen. The scarf's pattern is meant to evoke snake scales! Sorry for how lazily I drew Karuma here, haha. As for his personality, he has a poker face but I like to think he can be quite mischievous, though not towards his immediate family as the repercussions would be non-negligible. His brother in law, Hiroki, however, is the perfect person to prank since he's both kind and naive. I also imagine it's tradition for every (male) Asogi to dedicate their life to training, though he’d have a bamboo sword instead of Karuma at this age, probably... I wonder how Genshin discovered the hilt trick? If he was a kid or teenager, maybe he hid snacks inside (lol).

Miwa: Genshin’s older sister. She wears men’s clothes most of the time. Being their father’s legitimate child, she was going to inherit the clan despite being a woman until Genshin showed up. With Genshin having the “luck” to resemble his father, as well as being male, their father decided to make him the heir instead. Miwa resents Genshin for taking this chance from her, despite knowing deep down that he is not personally at fault. Still, she is outwardly bitter and dismissive of him, and spites his efforts to become closer to his sister. Miwa is both vain and arrogant while also following a rigid moral code. She distrusts men, most likely due to her father’s treatment, but she also respects her father greatly as a warrior. Miwa displays surprising gentleness towards children and women, namely Genshin’s girlfriend and later wife Yukari. Her abrasive personality mellows out when she becomes a mother herself, but she was unable to repair her relationship with her brother before his death. Since that’s very sad, in modern AUs I like to depict them on better terms.

Hiroki: Miwa’s husband through arranged marriage. Hails from a family of performers; his specialty is traditional dance but he’s skilled in rakugo as well. I wanted a character with a sensitive side, who is in touch with his emotions, to contrast the serious and tense atmosphere of the Asogi clan. Thanks to that side of him, Hiroki gets along well with Yukari who has a similar easygoing and “refreshing” personality. However, Hiroki’s sensitivity creates problems since Miwa is confused by a man exhibiting such behaviours (he’s the type to be moved by beautiful scenery and cry over small animals). Hiroki believes everyone can do good and that most people act from goodness, but for this reason he’s easily tricked- namely by Genshin. Despite amusing himself at his expense (since Genshin is quite clever), Genshin enjoys Hiroki’s company since he’s a very mellow person and doesn’t bring up dreadful topics like inheritance and power and such. Hiroki is surprisingly well-built under his clothes, and his weapon of choice is a naginata. I guess Syoma wanted his son-in-law to be strong..?

Syoma: The central figure in the Asogi household. Still alive during the events of TGAA. A very serious man who accords a lot of importance to honor and tradition to the point it’s stifling. Distant from his children, though Miwa claims Genshin is the favorite. The kind of father to make his children compete to “make them grow”, even though one of them is almost an adult and the other is barely a teenager. Although Genshin was conceived after his late wife’s passing, Syoma sees Genshin as a reminder of his dishonourable actions (mainly due to Genshin’s mother being a prostitute), and thus avoids him despite placing the onus of inheritance upon him. All of that results in a house Genshin doesn’t want to stay in- and contributes to his reasons to go study abroad. In his own twisted way, Syoma loves his children, but he was never meant to be a father, or at least does not know how to parent without a wife’s help (tradition and patriarchy is very much a theme for the whole clan lol). I honestly struggle to write him because the things he says can be very hurtful, especially towards his daughter-in-law. His character is a lot more comedic/nicer in modern AU (think pseudo yakuza with mother hen personality), but so is everyone’s. (it’s very sitcom-like, haha)

Thanks for reading if you made it this far!! This post could be even longer but I decided to spare everyone💗 have a bonus papazieks and children doodle for your time👼💗

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mimble-sparklepudding · 2 months ago

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Ship and OC Relationship Creative Process Ask List.

I am still pondering how best to approach some sort of "ship" for one of my OCs, but it's proving to be quite the challenge to wrap my head around. So what better way to learn more about how other people approach the topics of sex and relationships with their characters than to put together a little Ask List. Not just focussed on ships between OCs and canon characters, but also open to relationships between your OCs - or your OC and someone else's OC (or OCs, as we are all very polyamory inclusive around here).

Did you create your OC with a plan to ship them with a specific character or another OC? Or was their relationship something that evolved all by itself?

How important is your OCs relationship(s) to their story? Would it still make sense without it? Or is their connection to this other character integral to their development?

Were there any barriers to you establishing your OCs relationship? Perhaps social or cultural stigma? Or a concern that "ships" with that character were already overdone? Or simply a fear of being seen as "cringe"? If so then how did you overcome this?

How graphic or explicit are your explorations of sexual interactions involving your OC? Do you happily name body parts and actions? Or do you prefer to leave the mechanical details to the imagination?

If your OC's relationship involves a gender or orientation different to your own then how confident did you feel about exploring or writing this? If your OC and the character(s) with whom they are in a relationship are the same as you in terms of gender/orientation then was this a conscious decision?

How easy do you find it to write (or otherwise portray) non-sexual affection between characters? This might include terms of endearment, "pet-names", descriptions of cuddling or stroking the other's head in their lap etc.

How important is other people's investment in (or enthusiasm for) your character's relationship? Was this a consideration when you were planning it? Have you ever changed a character's relationship(s) due to other people's response to it?

To what degree do you use your OC as a means to explore your own romantic proclivities (or shortcomings)? Is your OC a self-insert and the relationship a form of wish-fulfilment and/or an means to explore certain fantasies? Or do you enjoy exploring something completely different to your own experiences and preferences?

How confident are you in writing about or otherwise portraying kissing between characters? Did this take practice? How much detail is enough? How much is too much?

Is it important to include tension or outright areas of conflict in a relationship? If so then how do you explore these? Or does this not appeal to you?

Does it matter to you how many other people also ship their OC with a particular character? Would this make it more likely that you will compare your material to theirs? Or does this not enter into your thinking?

How much does your OC's background and origin affect their approach to relationships? Are there specific insecurities or preferences that lead on from their past?

How easy do you find it to write romantic (or sexual) dialogue for your OC? If they are in a relationship with a canon character then how difficult is it to keep these interactions faithful to their established character and communication style?

How do you feel about answering questions about your characters sexual/romantic activities or preferences in character?

Did you build up to your OC being in their relationship? Or did you put them into it quite quickly and then filled in the background in retrospect.

Is there a relationship between characters in another setting that particularly inspired you? What is it about this portrayal that you enjoy?

Does it matter whether other people consider your OC sexually attractive? Did this inform your thinking when you were creating them? Also was it important that you put them in a relationship with a character who is generally considered "attractive"?

Do you have specific music that makes you think about your OCs relationship?

Do you have a sense of how your OCs relationship will evolve in the future? Or is it quite a fixed in terms of dynamics and story?

Is it easy to write or otherwise portray other characters (or OCs) reactions to your OCs relationship? Are these interactions important to your characters story? For example, is the relationship one that can be publically acknowledged?

How important is it that your OCs relationship is "realistic" for the setting in terms of the characters values and attitudes? Or are you happy to explore psychological or sexual issues that might more reflect contemporary concerns?

Do you consider your OC to be sexually attractive? Or pretty/handsome? Would you still be able to write about their relationship if you didn't?

What is something you feel you have improved at in terms of portraying sexual or romantic relationships?

How do you feel about people producing fanart of your character's relationship or ship? If this were NSFW would you want to be asked first?

Other than your own characters' relationships, can you give an example of someone who is particularly good at writing or otherwise portraying romantic and/or sexual relationships? What is it about their work that really stands out for you?

Have you given much consideration to specific "kinks" or sexual likes and dislikes for your character? If so then is this something you feel comfortable talking about or describing?

Is there a particular "trope" for relationships that you especially enjoy - e.g. enemies to lovers etc - and is this something that you set out intending to explore?

Is there something you historically felt (or still feel) awkard about describing in terms of your character's relationships? Whether sexual acts, bodyparts, pillow talk, romantic declarations or using the "L word". How did you overcome this (if you ever have)?

What makes a scene or situation "romantic" in your opinion? Is this something you find easy to portray?

What advice do you have for someone considering creating a ship for their character? Or for someone unsure about writing relationships and/or sexual scenarios?

When portraying romantic or sexual scenarios involving your OC, do you aim to inspire a particular response in the reader or viewer? Whether a warm fuzzy feeling, or getting really quite turned on (or possibly both)?

If you ship your OC with a particular canon character, then what was it about that character that drew you to them? Is it that you have a certain "type" when it comes to shipping? Or did you surprise yourself with who you felt drawn towards? If your OC is in a relationship with another OC then did you change any aspects of either of their backstories or personalities to make this work?

To what degree is your OC a self-insert, particularly in terms of their relationship? Do you sometimes use your character's relationship to explore your own feelings about a canon character or another OC?

How confident are you in writing angst or portraying conflict or tension within a relationship? Or is this something you avoid? If so is this because it doesn't much interest you? Or because you're unsure how to approach it?

Is there a way in which your portrayal of your character's relationship subverts the reader or viewer's expectations? Was this deliberate?

How do you ensure that the dialogue (or other portrayal) of a canon character is true to their personality and (more importantly) way of speaking? Do you spend time studying their "official" dialogue in order to get it sounding authentic? Or did it just come naturally?

What is something you try to avoid - or think everyone should try to avoid - when portraying sex and/or relationships with their characters?

What is your favourite depiction of romance (or sex if you prefer) that you have produced? Or if you haven't produced one yet, then what is your favourite example from another creator?

What, if any, is your biggest source of fear or anxiety when it comes to writing or otherwise portraying romantic or sexual scenarios?

What is something that your friends or mutuals could do to support and encourage you when it comes to your creativity around your OCs relationship(s)?

#probably not worth sending to me #as I have no idea about most of this stuff #oc ask list #ship ask game #oc relationship ask game #oc relationships #ffxiv oc

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yamujiburo · 10 months ago

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Some of this might sound intentionally hostile in text and I apologize.

I'm saying this as an abuse survivor mind you - don't throw "abusive ships" under the bus so easily - at least, so long as they're not actually glamorizing the abuse. I lived that irl and I personally find someone overcoming it, slowly having enough of that bullshit and getting out over time, and the other person having to wipe their own butt for once after they've made the damn mess, very refreshing. Maybe that's not a ship in the traditional sense. It's no happily ever after bc it shouldn't be, but I find stories like mine shyed away from so often because even the portrayal gets considered a "canon ship". ... that's just how media works now, I guess? I very rarely See a fictional relationship not called a ship in literally any context now so that's the definition I'm running on.

I wish more people were willing to portray the hardships of finding acceptance outside of "whoever you can find will accept you" very much, and finding the better things after. I wish people weren't terrified out of portrayimg situations like mine.

Jessie.. is not a good person in canon. You expect me to believe she moved into to hanamusa seamlessly, without falling on her ass? I never see you talk about Jessie's abusive tendencies in canon. You never talk about the inherent meanness she needed to get over to get there. She's quite aml lot like my ex in canon, actually.

What do you mean you're going to just remove from the character that she is abusive to those around her. Jessie hits people. She takes her own junk out on others all the time. Do you even like the character then, are you actually invested in her growing, or are you just making an OC at this point?

Idk. Do you, boo. But you are posting about a character who, whether you like it or not, is canonically abusive. I just don't buy that dating Ash's mom alone fixed her. That isn't... How that works. It would be excellent if it did. Part of my love of hanamusa is that it signals Jessie's change - but she could have changed for anyone before now.

What makes Delia different? How is she specifically a turning point for Jessie? Because Jessie's flaws go well beyond just bossing people around.

I would love if my abuser had the same outcome as your Jessie. I adore your portayals of hanamusa, where she's still flawed but still strives to do better. That's all I ever wanted from my ex.

What the fuck got her there tho.

Anyways I've been watching a lot of Bojack Horseman lately -

I agree with you! I don't think abusive relationships (or any tough subject matter in general) should be shied away from in media. It can be powerful when executed well and written by folks who are equipped to tell those kinds of stories. I do think it's sad when people treat it as off limits. But the ask I got was definitely more about which ships I have where I actually like the relationship between the characters. I think the semantics of the word "ship" are kind of vague or rather, over time, got so specific to only mean "absolutely love together and want them as endgame" (for most people anyways). So that's usually what I take the word to mean when people ask me about it.

I can 100% appreciate how an abusive relationship is written and handled, but that doesn't mean I'm gonna ship an abuser with their victim (that falls into the glorifying you're talking about). Love Bojack Horseman! Big fan! I think the way they handled Bojack and Sarah Lynn was beautifully and tragically well written. But does that mean I ship Bojack and Sarah Lynn? Absolutely fucking not.

I've talked about Jessie's character plenty on this blog and the way she's handled in earlier seasons specifically. This is kind of a summary: If we look at it on surface level, yes we can say she was abusive. But I think it's important to acknowledge and take into account the medium, time period and culture. Slapstick and cartoon violence was HUGE in anime and animation in the 90s (and prior to that too). Characters were always cartoonishly slapping each other around with giant mallets, folding fans, etc. Looney Tunes style. These slapstick bits were always distinct from real abuse and hurt (for Pokémon, Jessiebelle comes to mind). Mean slapstick wasn't a character trait exclusive to Jessie either. We saw it in Misty, James, Meowth, characters of the day and pretty much any character who got mad. It was a visual shortcut to show anger.

This type of slapstick has since (thankfully) died out and it hasn't really been a part of the Pokémon franchise since the early 2000s. However, Jessie was a notably special case. One of my favorite fun facts about the Pokémon anime is that there was a point in the series where Megumi Hayashibara (Jessie/Musashi's seiyuu) told the writers that moving forward, she no longer wanted Jessie to be violent or to be shown hitting James or Meowth (source: her memoir "The Characters Taught Me Everything"). She thought it directly went against the vision Takeshi Shudo had for Jessie, James and Meowth, when he created them, which was that they are good natured villains. If you watch from DP and on, Jessie never lays a hand on either of them. I think it was a such a good move on Pokémon's part to change her character like that and I'm forever grateful that Hayashibara said something! Whenever I write Jessie now, I always keep that in mind. She's mean, shouty and stupid but would never genuinely hurt those she cares about.

From then, her character becomes much more bearable. She's still bossy, mean and vain (typical cartoon villainess attributes) but I'd hesitate to say abusive. She'll still yell at James and Meowth, they all yell at each other, but in more of a sibling way (imo) rather than a "i'm actively trying to hurt your feelings way". The show makes a point especially in later seasons to show that Jessie, James and Meowth are not beyond being redeemed. From conception the whole POINT of the Team Rocket trio was that they are redeemable but their persistence and obsession keeps getting in the way of them seeing that there's a better life for them out there.

I won't deny that Jessie was unsavory in earlier seasons, but when I write her, I choose to write the version that Takeshi Shudo and Megumi Hayashibara had envisioned from the get go. She's still incredibly flawed and makes plenty missteps but wants to be better as you stated! My favorite part about Jessie is that she's a piece of shit LOL and I enjoy writing the changes she goes through to be better (but then still showing her default so some of her evil tendencies). In this AU, Delia doesn't fix Jessie. Jessie fixes Jessie because she is with someone makes her want to be a better person. She's already in the middle of turning over a new leaf before even meeting Delia, after leaving Team Rocket. Writing Jessie as legitimately abusive I think could work, but that's not my story to tell and if someone who were more equipped to tell that story did, I'd be very interested to take a listen!

I hope this doesn't come off as trying to deny or invalidate your experience. If you see that in Jessie, I hear you! This is just how I've interpreted her character over the years, having watched every episode of Pokémon and reading Japanese interviews from the cast and crew. She's such a compelling character and I love how messy she is

#ask yam #long post #tw abuse

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raguiras · 4 months ago

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Mionn's art & writing ship trade event

(Click the art for better quality!)

I'm hosting an art & writing event centered around ships & duos (multifandom)!

🖤 REBLOGS ARE SUPER APPRECIATED

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I've recently reached 200 followers on this blog, 900 on my meme blog, and 100 on Instagram!! Honestly, I don't even know what to say... I feel so damn honored and am so grateful for the support!! 🖤🖤🙏

As a multi-milestone celebration as well as an event for the official Spade of Storms (Deuce x Allen) day, which is on the 27th of July, I decided to host a TRADE EVENT!!!

Basically, this event is going to be an open art/writing trade that's all about ships (or platonic duos).

The event starts on 7/23 (today) and lasts for rest of July as well as for the entirety of August. For every Allen x Deuce art/writing that I receive during this duration, you get one of your own ship from ANY FANDOM back!

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Why am I hosting this?

it's a way to thank everyone for three different follower milestones

a contest/DTIYS/raffle wouldn't promise that everyone gets something back, so I went for a trade event

the event allows me to post more about other canon TWST characters and draw them while not having to neglect Allen x Deuce

I wanna make new mutuals & friends, get to know more ships, and strengthen friendships with mutuals I already have!

Artfight is/was tons of fun, but I only do/did colored sketches there & ships are a tricky subject. Meanwhile, I'll do ANYTHING here!

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Basic information:

Make a drawing/writing/comic of Allen x Deuce. (Ideas can be found in this post's pink "starters for my ship" section.)

Post it on your blog, tag me in it, and refer to my event. (While posting is by far preferred — especially for bigger artworks and written stuff — you can also just DM it to me.)

In return, you'll receive a gift of the same type for your own ship from any fandom (OC x canon, canon x canon, OC x OC)! I'll DM you about the ship, so make sure that your DMs are open.

For example: If you submit a sketch, you'll get a sketch back. If you submit a fully shaded drawing, I'II make a fully shaded drawing for you, too. If you add a background, I'll (do my best to) do the same. If you write a drabble... You know the drill!

ANYONE can join, whether you follow me or not! However, new followers through the event are super appreciated!

EVENT TIME: July 23th (today) - August 31st

Anything submitted before or after this event duration will not receive anything back (unless we explicitly do a trade), but be held in high regard nonetheless!

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Rules:

The portrayal of Allen x Deuce must be shippy/romantic.

Please keep angst at a minimum unless it has a happy ending. Comfort is allowed.

Please DO NOT add your own OC or another canon character to the submission. Including them in the background as a wingman or something is alright, though. Additionally, any kind of romantic implications between Deuce and another character/OC are NOT allowed.

Please no NSFW. Harmless implications and slight spice are okay, but keep in mind that these characters are both minors.

AUs are very much allowed! All the previous rules apply here, too, and I'm willing to give an overview of some AUs via DMs.

Please no genderbending.

Please DO NOT draw Allen or Deuce as a standalone character. This is a SHIP event for a reason.

Please don't change their appearances too much, especially when it comes to the color schemes & body types.

Giving them different outfits — especially event outfits — is absolutely cool (yes, you can draw Allen in a skirt if you wanna), and changing their hairstyles is okay as long as they still look like themselves.

This is NOT A DTIYS event, so please DO NOT redraw one of my Allen x Deuce arts. Please come up with something original.

If you have any more questions, please DM me!

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What CAN you submit?

drawings // comics // writings // animatics

For drawings, anything from a quick sketch to an extremely detailed drawing with a background is allowed! You'll get something of the same quality back. The same also goes for writings/fanfics.

Animatics will receive a drawing in return.

What CAN'T be submitted?

Gacha videos // edits // memes

-> You can theoretically submit all of these and I'd appreciate them, but I wouldn't be able to give you anything back.

Memes refer to funny pictures that simply have Allen & Deuce's faces in them. DRAWN memes/meme redraws count as DRAWINGS.

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Starters for Allen x Deuce

Got no clue what to draw/write about?

Check out the few already existing Allen x Deuce posts on this blog for proper lore and facts.

Check @spade-of-storms for fun facts, shorter rambles and additional info.

In any case, you can't go wrong with simple fluffy, romantic scenarios! Dates, kisses, cuddles, whatever!

For information about Allen himself, please check my pinned post.

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Q&A:

I want to join the event, but I don't have any ship (OC x canon, canon x canon, OC x OC) you could draw/write about for me in return.

That's okay! In that case, I'll gladly draw/write about two separate characters or a platonic duo for you.

Can I do multiple submissions for this event?

Obviously, and every single one will be "revenged"!

Can I get something of another type/quality back? For example, can I get a fully shaded drawing for my sketch, or art for my drabble?

Unfortunately not, as I prefer to always give something of the same type back. There are only the following two exceptions that I AM willing to do:

you do a drabble/oneshot —> I do a sketch

you do any type of art —> I write a drabble/oneshot

Is there anything you refuse to draw/write about?

Deuce ships (other than Deuce x Allen). NSFW. Family x family. Minor x adult. Any ship considered to be problematic.

How do I tell you about the ship I want you to draw/write about for me?

I'll DM you after you post your event submissions.

Do you prefer to do OC x canon, canon x canon, or OC x OC?

I have a bias towards OC x canon and canon x canon ships. However, I'm willing to do any ship that's not problematic! In the case of OC x OC, I simply need you to provide information on two OCs instead of one only.

Will you do poly ships?

In order to keep things fair, no. But I could include the third party as a plush or chibi head.

I want to make Allen x Deuce content for you, but not receive anything in return.

That's also super appreciated anytime (and totally doesn't make me freak out /pos)! Simply share it as a gift and don't mention the event.

How long is it going to take you to finish your "revenge" on me?

It depends on the type of submission you make & what I'm giving you back. Some things can be done within a day while others may take much longer, but either way, you WILL get something of the SAME TYPE back & that's guaranteed.

♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤

Personal notes:

My health isn't the best and I also have a job. Please be respectful and don't rush me nor get mad when I'm being slow.

Please do not start a discussion nor get mad at me if I refuse to draw/write about a ship I deem problematic & want you to pick another one instead. Preferably pick a ship that's by far NOT problematic from the beginning.

I'm unwilling to draw/write about any Deuce ships other than Deuce x Allen because I kin Deuce a ton and tend to feel uncomfortable with many of his ships, so please don't ask for any. I'm asking you to not start a discussion over this, either.

I won't post everything I make for the event on this blog. Sketches and writings will either be DMed to you or posted on one of my other blogs.

♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤

That's it for now! If you have any questions, please do not hesitate to DM me.

And again, thank you so much for 200 followers!

♤ Happy trading! ♤

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physalian · 8 months ago

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In Defense of Fanfiction (Or the perfect starting point for your original novel)

Fanfic gets a bad rap pretty much everywhere except Tumblr. It’s misunderstood and misrepresented by its average works, seen as juvenile and cringey, or a banal point of contention between a famous person or piece of media and its fans.

Outside of fanfic that writes about real people, especially smut fics of real people, I support the art wholeheartedly. Fictional characters are one thing, but personally, caricaturing a celebrity’s life for public consumption and writing or drawing them in compromising content without their consent is a little weird. You do you. Don’t like, don’t read, as they say.

Fanfic is the perfect starting point for a few reasons:

It places you in a creative box and forces you to work within those constraints

It does all the worldbuilding and character concepts for you

It lets you write way outside your comfort zone

When published and receiving feedback, it boosts your self-confidence

It's incredibly flexible

It’s practice. All practice is good practice

—

Behold your creative box

When I was little I had no idea the majority of fanfic was shipping fics. I always pictured and looked for canon-divergent alternate universes. Like, what if X happened in this episode instead of Y? What if this character never died?

Fanfic demands you work within someone else’s canon, whether it’s an OC in the canonical world, or the canonical characters in an AU. These are like little bowling bumpers saving you from the gutter, but also keeping you on a straight-ish path toward the pins.

The indecisiveness of too many choices can be too intimidating when you’re first starting out. You want to be a writer but you have no idea where to begin, what genre to pick, what characters you want to chronicle, what themes you want to explore.

Even if it sits on your computer never to see the light of day, you still got those creative juices flowing.

Pre-packaged worldbuilding

Sometimes all we want is to get to the good stuff. Maybe I want to write a story about elemental magicians but Last Airbender already exists and I just want to play in a pre-existing sandbox. So I write some OCs into that world and have a free-for-all.

I don’t have to come up with my own lore, world history, magic system rules and mechanics, politics, geography—any of it. I get to just focus on the characters.

Even if you’re writing an AU, like say a coffee shop AU, you don’t have to think about brand new characters, you can just think “What would M do?” and go from there. The trade-off is your readers will expect canonical characters to behave in-character, but I think it’s worth it.

Stretch beyond your comfort zone!

Do you hate writing action scenes? Go practice with a shonen anime fic. Need work on dialogue? Write some high-fantasy fic, or a courtroom drama. Practice a fistfight by watching fistfights and writing what you see, and do it over and over again until what you read makes you feel like you're watching what’s on screen.

But beyond that—practice genres that you aren’t super familiar with. If you’re new to fantasy, write fantasy fic. Or a mystery novel/show, thriller, comedy, satire, adventure, what have you. The nature of fanfic still gives you those “guardrails” and you can get some brutally honest feedback on how you’re doing.

And, of course, the realm of M-rated romance and smut fics. I haven’t because I think I would die of embarrassment if I tried and I never intend to include sex scenes in my works anyway, but if you do want to, use the internet as your test audience. Post it on a throwaway account if you’re nervous.

Build that self-confidence!

The fandoms I used to write for are super dead, so it’s insane how I still get email notifications that so-and-so liked my fic to this day. Comments are as elusive as ever, but random strangers on the internet telling me they liked my work is a magical reassurance that my writing isn’t actually awful.

Random strangers on the internet are, as we all know, beholden to no moral obligation to be kind to your little avatar face, or be kind to be polite. So a rando taking the time to like my work or even leave a positive comment can feel more honest than one of my friends telling me what they think I want to hear.

I tend to avoid the more present aspects of fandom like online communities, forums, social media, what have you, so I get a delayed and diluted aspect of any given fandom through completed works. Which means, in general, I get to avoid the worst and most toxic aspects of fandom and get to sift through positive feedback and critique.

Even if your fanfic isn’t written with stellar prose, it’s fanfic. We don’t expect Pulitzer-prize winning content. And if your work isn’t up to snuff, people are more likely to just ignore it than put you on blast (at least in my experience, I never got a bad comment or a “flame” in the old FFN days).

Fanfic doesn’t care about the rules of published literature

On the one hand, try not to practice bad habits, but with this point I mean that your layout, punctuation, formatting, paragraph styles, chapter length–all of it is beholden to no rules. I get as annoyed as the next reader with giant blocks of paragraphs, or the double-spacing between pages of single-sentence paragraphs, but if the story’s good enough I might ignore it.

There’s more than just straight narrative fics, though. People write “chat” fics, or long streams of text and group chat conversations. The scene breaks can come super rapidly–I’ve seen fics with a single sentence in between line breaks to show the passage of time. And without the polish of a traditionally published novel, I’ve never seen a purer distillation of author voice in any medium more than fanfic.

All practice is good practice

Even if it’s crack fiction, or a one-off one-shot, or something meant to be lighthearted and straightforward and free from complex worldbuilding and intricate plots. It really helps break writer’s block when you can shift gears and headspaces entirely and you can get relatively instant feedback to keep you motivated.

Beyond that, the “guardrails” help you stay consistent as far as character growth and personality if you struggle with designing rich characters.

The most recent fanfic I wrote was just a couple years ago, for a dead fandom I didn’t think would get any traffic whatsoever. It wasn’t my original works, but the feedback on that fic gave me the kick in the butt I needed to get back into writing more seriously.

—

In short, I support fanfic. I may not be proud of my earliest fics' prose now, but I am proud that they walked so I can now run.

#writing advice #writing resources #writing tips #writing tools #writing a book #writing #writeblr #fanfic #fanfiction #archive of our own #ao3 #ffn

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raven-at-the-writing-desk · 2 months ago

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Good evening (or morning, afternoon, wherever u r) to you, Miss Raven, *tips hat* How do you do?

First of all, I was reading through the your canon Malleus romance analysis and i’ve just gotta say I love how you give a realistic approach to these characters and their world! 🙌🏻

But that also got me thinking, how would Leona prioritize his romantic vs royal life?

As second born prince, I wanna say Leona actually has more breathing room to pick whoever he wants as a partner (if the royal family doesn’t arrange a marriage before he gets that chance), plus, the Sunset Savanna’s next heir apparent is already born, so really there’s nothing worry about succession unless something happens to Cheka and or Falena. But at the same time Leona is still ridiculed by his people, so will that have any affect on who he wants to be with if he happens to choose someone other than another beast(wo)man or someone in a class lower than a noble?

And even tho he isn’t first in line for the throne, Leona is still royalty. I think he could pick a partner who is more private and less sociable with their life, but I also think they still might need to be prepared for the royal life, lack of privacy, speaking with the public, and other royal duties (even if Leona himself won’t do them).

TL;DR Do you think Leona’s status as second prince actually gives him a benefit for who he can pick as a romantic partner and how would the people’s view on him affect this, and what do you think would expected of Leona’s partner in the royal life even tho he’s not first in line for the throne?

What’s your take on this?

Related posts: Malleus / Kalim

Greetings 🎵 Life’s been a bit stressful lately, but I’m getting by! Busy planning something big for the blog too, so excited for that.

I think you must be talking about that post where I discussed what the expectations would probably be for Malleus’s future spouse? Thank you for the praise though! While anyone can ship themselves or their OC with Malleus in the latter, there’s certain in-universe logic that must be followed in the former. It feels very different to be a character in that world versus an outsider looking in. Being able to switch and see from those perspectives is important, I feel.

My thoughts on this topic aren't as concrete as what I laid out for my Malleus post, mostly because we don't know as much about Sunset Savanna's politics and since Leona isn't burdened by the same expectations as the crown prince or first in line to the throne. I feel like this post will be a lot of speculation, so just be cognizant of that.

As Leona is right now, I don't think he has much of an interest or an obligation to find someone. His focus seems to be on tending to himself and his own goals to help those around him, be it his juniors (Epel, Jack, Ruggie, etc.) or his country (due to his internship at a energy and mining lab). I definitely feel like that's where his priorities lie, and anyone he might take on as a life partner would also have to have a passion and dedication for this kind of service, whether they also engage in it or they at least support Leona's endeavors.

I also think that Leona would personally want an intelligent partner that's able to hold their own in a discussion, but only to a certain extent. Like, they have to be able to coherently express their own thoughts but I don't think he wants to deal with someone so stubborn that they constantly put up a fight with him if they happen to disagree. Leona has demonstrated multiple times that he finds it a hassle when people don't listen to him, so he tries to put himself in situations where he doesn't have to face that in the first place. For example, Leona states that he dislikes Silver and Rook, as they constantly act on their own and seem to disregard anything that others around them say. Additionally, he lacks a vice dorm leader because he made the conscious decision to not pick one, as he doesn't want someone challenging his decisions. Leona also strategically caves to his sister-in-law's demands to avoid wasting time and energy in an argument, since he knows that beastwomen tend to be strong-willed. His partner would have to know when to step back and give him space or when is not a good time to keep pressing a point. That means there'd be a certain element of emotional intelligence involved too, not just general wisdom or knowledge.

In these circumstances, I don't think there would be as much of an importance placed on the social status of Leona's spouse since he's like... what? Fourth in line to rule? His father is still alive, Falena/Farena is still fine, and Cheka's there too. The chances of Leona actually having to step up to that plate are low. There's no pressing need for Leona to find a partner or to produce an heir of his own. I don't recall there being lore about his older brother and sister-in-law having an arranged marriage or what social class his sister-in-law is from, so... there's not a lot to go off of there. I think, at the very least, we can assume there's not as much pressure for Leona to be in an arranged marriage since he isn't the crown prince. I don't get the sense that Sunset Savanna is as conservative with its social expectations as Briar Valley is, so it's doubtful whether or not the public would care about a royal marrying a commoner or a beastman marrying a non-beastman. To my latter point, there doesn't seem to be as strong of a racial divide between beastmen and humans (unlike fae and humans), so I don't think this would pose a major concern. But hey, maybe they do care a lot about status since Leona's flashback keeps harping on the importance of birth order--but that ultimately has no baring on the commoner versus royal thing. Maybe this is me being too much of an idealist, but I do think it would be possible for Leona's partner to come in and prove themselves, since their reputation (unlike Leona's) isn't already marred by being second in line to the throne and having a golden child to be compared to. If anything, I feel like the people would fear for the safety of Leona's spouse rather than what their "marrying outside of the norm" means for the country. Since there's a negative public view of Leona, I feel that this would translate into worry for the spouse rather than assuming they are "just as bad" as Leona. They're an outsider with a completely separate background from Leona's, and that I doubt that most people have the magic to rival his strength. Where would their fear of the spouse be reasonably coming from? I think the more likely situation would be the public feeling sympathy for the spouse (like, what if Leona's magic harms them) and wondering what they must see in the second-born prince. There might be a lot of gossip or concerns swirling around their courtship, little judgmental whispers and passing glances that are hard to avoid, maybe some hissed warnings to be careful around Leona, etc. The spouse should be careful how they react to public opinion though, as lashing out could make them be perceived as ill-tempered and crude, a poor reflection of both their own attitude as well as confirming preconceived notions of Leona. They should be equipped to handle socially complicated situations with grace and tact. When it comes to Leona, they should also be ready to provide him with some emotional support—not as a therapist he trauma dumps to or anything like that, but as a trusted and nonjudgmental confidant.

I think the spouse would receive the harshest scrutiny should they step into a more public-facing role… like if they started to enact or push for policies that go against the country’s reverence for nature and living in harmony with it. They would most certainly get pushback for it, maybe earn ire for not being “attuned” with its people. Leona’s spouse would, at the bare minimum, be expected to represent the values of Sunset Savanna and to engage in its ceremonies and traditions. For example, Leona—the second prince—is meant to train the winners of the Bead Brawl. Whatever royal duties are set for the spouses of the royal family… well, they should be prepared to fulfill them.

On the subject of privacy and sociability, it might actually be a drawback if Leona’s spouse were private and not sociable. Not being seen or interacting in public very often means people are left to their own devices and assumptions—and if Leona is the first person they associate with his spouse, it could lead to the public forming negative thoughts. "Oh, they're withdrawn because they don't care about us. Oh, they must be moody and hard to get along with." There’s a lot of earning trust that has to be done, especially if Leona intends to enact social reform, so I think it would make for better optics if his spouse really put themselves out there and was proactive in the community. Instead of framing themselves as a shut-away or some rando that married into the royal family, they have to be willing to step outside of their comfort zone and act like a leader if push comes to shove, show how outgoing and determined they can be.

Last thought I have on this matter I guess is related to how Leona’s loved ones would react. I don’t think the named characters would care about the details all too much?? Farena appears to respect his brother and treats him warmly, even when Leona brushes him off. He’d want Leona to be happy and at his best mentally and emotionally when and if he decides to help govern the country. And Cheka, well… maybe he’s a little too young to fully understand what’s going on, but I think he’d want his uncle to be happy too. I’d say even Kifaji would be on board with it, though perhaps not as openly as Farena or Cheka. He’s a stern older man, so I can absolutely see him scolding Leona and nagging him about his choice of partner��but in the way that a concerned grandparent would, you know? Not in an outright malicious way like the Briar Valley senators might. Unlike them, Kifaji can see the good in his prince and wants the best for him, even if he comes off as too overbearing at times. Kifaji doesn't unnecessarily act vitriolic or belittling to Leona, he states truths (that Leona acts improperly at times) and earnestly expresses his wish that Leona recognizes his own potential. He'll probably pull up to interrogate the spouse (because he cares that Leona marries someone who loves and values him), but ultimately give his blessings along with a plea for them to take good care of his second prince.

#twisted wonderland #twst #Leona Kingscholar #disney twisted wonderland #notes from the writing raven #question #disney twst #Kifaji #Cheka Kingscholar #Farena Kingscholar #Falena Kingscholar #Silver #Rook Hunt #Epel Felmier #Jack Howl #Savanaclaw #Ruggie Bucchi #Neji

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ewanmitchellcrumbs · 11 months ago

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Push the Sky Away - Part One

Pairing: Aemond Targaryen x original female character (Lorra Stark) Chapter warnings: Angst. Canon typical violence. Mention of loss of virginity. Smut. Word count: ~6.5k

Summary: We are getting to know Aemond in this chapter. Some scene setting and world building, not much to be found of our OC until she is introduced towards the end. Laying the groundwork for what's to come later. Series masterlist.

Author's note: For @sapphirehearteyes. I don't have a tag list. Please follow @fics-by-ewanmitchellcrumbs and turn on post notifications. Community labels are for cops.

Fire and Blood, the infamous words of House Targaryen. It is a phrase that both haunts and eludes Aemond Targaryen from an early age, with its promise of greatness and constant reminder of all he will never be.

The Targaryen name is the only thing of any value that Viserys has ever bestowed upon his sons. Aemond ponders whether his father’s disinterest in him is a result of the illness that weakens his body by the day, or if he simply has no room in his heart for the children borne of his second marriage. When he watches him interact with Rhaenyra, how he lights up in her presence in a way that he does not for him or his other siblings, he knows it is the latter.

The fireplace warms his skin, uncomfortably so, and despite the septa’s caution that he not sit so close, he refuses to budge. Sweat prickles the back of his neck, dampening and curling the ends of the hair that sticks to it. His discomfort is of little importance to him, he needs to remain within this proximity to the hearth in order to keep his egg warm, to ensure it hatches. It is a vigil he has kept for as long as he can remember, not moving until he is forced to bed with aching joints and soot covered hands. Unable to understand why it had never hatched in his cradle, he is certain that if he does his due diligence then soon he will have a dragon of his own.

His mother is alerted of his disobedience, and Alicent regards him with sadness in her large brown eyes, as she reaches for him.

“Come away, my dearest love, you will have a dragon of your own one day.”

He simply shakes his head. She could not understand. He does not want just any dragon, he wants his. There must be a reason why this particular egg was imparted upon him, otherwise it is all for nothing.

Despite this, day after day the hardened scales remain cool to the touch, little more than a rock between his tiny fingers. Perhaps placing it within the flames themselves will yield the result he hopes for?

He leans forward into the fireplace, heat blazing against his pale cheeks, and an acrid stench fills his nostrils. It is not until he is pulled forcefully back by the firm grasp of the septa that he realises the ends of his long, fair hair have singed, charred and blackened by the heat of the fire.

The egg is taken away after that, and Aemond weeps bitterly at the unfairness of it. It is his birthright, his only birthright, and now his sole purpose for being has been snatched from him; it seems there is little point to his existence now. He never sees the egg again, but he often wonders what would have happened if he had been left uninterrupted to place it upon the flames.

When Aemond is a little older, he begins to frequent the Dragonpit, for what is a Targaryen without their dragon? If he no longer has his own egg then he will find another, or perhaps claim a riderless mount of his own.

The warmth beneath the Grand Sept is different from that of the fireplace. It is dank and humid within the pit, the odour of droppings hangs heavy in the air, mixed with sulphur and ash. The smell sticks to his clothes when he returns to the Keep each evening, and momentarily he feels his chest swell with pride as his mother winkles her nose in disgust at the scent. It is the same look of distaste that she bestows upon both Helaena and Aegon when they return from flying, and for the briefest of moments he can pretend that he has too.

Yet still he goes to bed each evening dragonless, and begins each day anew with the bitter taste of jealousy in his mouth as he watches his nephews, Jacaerys and Lucerys, interact with their dragons, Vermax and Arrax. Targaryens are considered to be closer to gods than men, so it feels like a cruel twist of fate that his half sister’s bastard offspring should be blessed with eggs that hatched in their cradles when his did not. Rhaenyra’s children have the favour of the Seven, whereas they seem to have turned a blind eye to him.

Aemond’s heart soars with hope when the dragonkeepers reveal to his sister that Dreamfyre is gravid. If she produces a healthy clutch of eggs then he can claim one, one that will actually hatch. In spite of the warnings that the she-dragon be left in peace during this sensitive time, and Helaena’s frustrated and repeated requests to stop disturbing her, he cannot resist the pull towards where she roosts within her darkened cave. If she is to lay an egg, then he wants to be the first to see it, to ensure he can take one for himself.

The blistering heat of the flames that Dreamfyre expels with her mighty roar of anger as he approaches yet again causes him to stagger backwards, wide eyed and slack jawed. But Aemond feels no fear as gazes into her fiery maw, his only thoughts are that one day soon a beast of his own will do much the same.

When Aegon claps a heavy hand upon his shoulder, steering him forward, and claiming a dragon has been found for him, he does his best to remain calm. He is used to his brother and nephews’ cruel japes at his expense. But as he stands at the top of the slope to the Dragonpit, he cannot help the way his heart races with excitement at the possibility that it might be true.

His hopes are dashed when a pig is led out to him, trussed up in wings, having been jokingly named “the pink dread”. He bows his head at the raucous laughter of Aegon, Jace and Luke around him, humiliation flushing his cheeks for having dared to believe it could be true.

The echoes of Aegon’s mocking pig grunts ring in his ears all the way home, and he stands dejectedly as Alicent delivers yet another scolding for him having dared to disturb Dreamfyre. He is usually silently accepting of her scorn, confident he knows better, and prepared to defy her all over again the next day. However, this time he can no longer bear the injustice of it all.

“They gave me a pig!” He cries, feeling the prickle of tears in his eyes. “They laughed, they all laughed.”

The warmth of his mother’s embrace does little to comfort the inferno that blazes inside of him. Today is proof of the fact that his own brother does not view him as equal - how could he? Aemond is a second born son and has no dragon. He is worth nothing.

If he is not destined to be a dragonrider, then Aemond decides he will give his all to becoming a fearsome warrior instead. He excels in the training yard with each daily practice, every strike of his wooden sword against the straw stuffed target more ferocious than the last. The proud glint in the eye of Ser Criston Cole as he watches diligently, offering guidance on both stance and technique, serves to spur him on. He will be the best at this, he has to be.

Much to his displeasure, the allotted time for sparring is shared with his nephews. Though they learn under the watchful eye of Ser Harwin Strong, there is still a competitive element, and an underlying sense of animosity between Criston and Harwin that he does not quite understand.

Aegon later tells him it is because Ser Harwin is the true father of Rhaenyra’s children. He feels a smug sense of satisfaction at being privy to this information, and it brings him and his older brother closer together. The two of them share rare moments of comradery each time they don their armour and pick up their practice blades. It’s the only time that Aemond ever genuinely laughs or smiles.

There is an obvious divide from that point onwards, Targaryens uniting against Strongs, and as the tension grows between the boys, it does between their mentors too, until one day it reaches a boiling point.

At first Aemond titters along with his brother as they watch Criston scuffle with Harwin, but his smile quickly fades upon seeing how valiantly their father fights for them, knowing his own would never do the same for him. As he looks up into the solemn features of Aegon, he knows the sentiment is shared. It is yet another privilege that Rhaenyra’s children possess that he does not have; the love of their father.

They journey to Driftmark when they receive the news that Laena Velaryon has passed away in childbirth. The icy, coastal winds that whip Aemond’s hair around his face as the stone coffin is committed to the sea are as bleak as the mood that envelopes them all. He seeks warmth near the brazier, attempting to catch the eye of Jace, who stands on the opposite side. Despite the tension between them, he hopes to offer condolences, knowing the loss of both Ser Harwin and his aunt play heavily upon his nephew’s mind.

He realises it is a futile gesture the moment that Jace turns away in disgust, and once more Aemond is reminded of how alone he truly is, that he has nothing. Luke will inherit Driftmark, and their mother has betrothed Helaena to Aegon. Luke snivels at what he is offered, claiming that when Driftmark passes to him it means everyone will have died. Aegon scoffs at the notion of being married to Helaena, claiming they have nothing in common.

It angers Aemond, to be overlooked in favour of those who are so ungrateful for all they have. If he were set to inherit anything, he would do everything in his power to prove he is worthy of it and bear the title with honour. If his mother had betrothed his sister to him, he would do his duty and ensure the match produces heirs that would make House Targaryen proud.

His attention is drawn to the clifftop when he sees the spread of enormous wings and hears the mighty rumble of the creature atop it. Vhagar. Laena Velaryon’s dragon is now riderless, and the pull he feels towards her is one he simply cannot ignore. At last, he has found his purpose and his desire to claim a dragon is reinvigorated with new strength.

Aemond waits until nightfall. Sea spray has made the rocks slippery beneath his feet, and he ascends carefully, though determined, towards the top of the cliff where Vhagar roosts. Windswept and breathless by the time he reaches the top, he stands awestruck at the sleeping dragon. Even partially submerged in sand, she is a magnificent sight to behold. She had appeared massive when looking at her from above, but it does nothing to prepare him for the sheer scale of her up close. She is gargantuan.

For a moment, icy fingers of fear grip Aemond’s heart, and he considers simply turning back, he has made a dangerous mistake. He shakes the thought from his mind the moment it presents itself.

I am no craven.

His approach is tentative, palms outstretched to communicate that he does not present a threat, as the elderly beast grumbles and shakes sand from her back. He stares transfixed as she opens her jaws, the white hot inferno that swirls within their depths makes that of Dreamfyre’s seem like a mere campfire. He feels as though he is looking into the very mouth of the Seven Hells themselves, but instead of fear Aemond feels kinship. Vhagar is without purpose, as is he, until now.

“Lykirī,” he calls out, the wind carrying half the sound away with it. Yet she hears, and she stills, eyeing the child before her with keen curiosity. Be calm.

Emboldened by her calmness at his command, Aemond steps closer, fingertips ghosting against the heat that radiates from her scales.

“Dohaerās, Vhagar,” he tells her, voice trembling. This is the same dragon ridden by the great warrior, Visenya, the conqueror’s wife. She is battle hardened, and with the smallest of movements could snuff out his short life. Serve.

The faintest sound of displeasure reverberates through Vhagar’s body, yet she remains still. Aemond’s heart beats wildly in his chest as he grips the ropes attached to her saddle and begins to pull himself up. If he had thought the climb to the top of the cliff difficult, it proves nothing compared to this. His arms ache with exertion, the expanse of the great beast he is attempting to summit is vaster than anything he has ever climbed before.

By the time he pulls himself into the saddle, Aemond’s palms are red raw with rope burn and his skin is damp with perspiration. There is barely time for him to catch his breath though, as the moment Vhagar feels him settle on her back, she rises to her feet, vast quantities of sand slipping from her back and wings in drifts.

The movement startles Aemond, and he fears he will fall. His sore hands cling tightly to her reins as he shouts his final command to her.

“Sōvēs.” Fly.

As she rises into the air with an effortless flap of her wings, he feels as though he has left his stomach on the ground below. The rush upwards is dizzying, frightening and exhilarating all at once. Aemond begins to laugh as he grows used to the weightless sensation of every ebb and flow through the air as it whistles past his ears, and chills his skin to the bone. He is finally complete, he has his dragon, and for the first time in his life he is genuinely happy.

That happiness is short-lived.

The moment he reaches solid ground, his cousins, Baela and Rhaena, are waiting for him, alongside Jace and Luke. He had anticipated this, and is well prepared.

“It’s him!” Rhaena shouts as soon as she sees him.

“It’s me,” he responds calmly, confident there is nothing to be done now that Vhagar is his.

“Vhagar is my mother’s dragon!”

“Your mother is dead, and Vhagar has a new rider now.”

“She was mine to claim!”

“Then you should have claimed her. Maybe your cousins can find you a pig to ride? It would suit you.”

He is startled when Rhaena angrily charges towards him, though he is bigger than her and pushes her to the ground with ease. A punch from her sister, Baela, catches him off guard, the pain in his face enraging him and causing him to hit back so hard she falls over.

“Come at me again and I’ll feed you to my dragon!” He snarls angrily.

Jace and Luke rush at him, and in a moment of confidence Aemond thinks he has bested the both of them, until all four children knock him down and begin to rain their fists down upon him.

He is the rider of the world’s largest dragon, and his new found confidence coupled with the surge of adrenaline allows him to fight them all back. He grasps a rock, holding it above Luke’s head as he grasps him tightly by the collar.

“You will die screaming in flames, just as your father did. Bastards!” He hisses.

“My father is still alive!” Luke wails.

Aemond smirks, rock still held above his sobbing nephew, and he glances to Jace. “He does not know, does he, Lord Strong?”

Jace unsheathes a dagger, to the protestations of both Rhaena and Baela, and the distraction is enough for Aemond to knock it from his hand. His dedication in the training yard has paid off and he quickly gets the better of Jace, snatching up the rock once more, prepared to bring it down upon his skull should he try to attack him again.

In Aemond’s mind, the matter is settled, they should accept what has happened and retire to bed.

Unfortunately, his nephews do not share the sentiment. He winces, staggering backwards as Jace throws sand in his face, and before he has had time to fully recover, Luke is racing towards him, Jace’s dagger in hand.

The pain is excruciating as his nephew slashes upwards, and suddenly his vision shows blackness on one side, instead of his surroundings. He falls to his knees, a shriek of agony leaving him as blood seeps through the fingers of the hand he clasps to one side of his face.

His only focus is the searing, torturous pain he feels, waves of nausea rippling through his prone body, until a clamour of armour alerts him to the presence of the Kingsguard. As a knight kneels beside him, coaxing his hand away, his pale, horrified expression and exclamation of “Gods be good” are all Aemond needs to know that his face is ruined forever.

The fire in the hall of Driftmark is warm against his skin, and he does his best to focus on that sensation instead of that of the Maester extracting his eye from his skull. Though he has been dosed with milk of the poppy, he still feels every cut, every tug, and the pierce of the needle as it’s pulled through his skin repeatedly to stitch up the wound.

Aemond is unsure if it is the milk of the poppy that dulls his senses, or the satisfaction he feels at having claimed the world’s largest dragon, but he does not feel anger or sadness as he expects he would have when he is told his eye is lost forever.

When his mother snatches a knife and charges towards Rhaenyra, he is certain she has more blood of the dragon coursing through her veins than his coward of a father does. She is willing to risk everything to avenge his disfigurement, while Viserys makes excuses and appears more affronted at his eldest daughter’s children being called bastards. The loss of Aemond’s eye seems of little importance to him.

It is in that moment that Aemond feels the tiny semblance of respect he had for his father wither and die. As he takes in the harrowed expressions of Alicent, Aegon and Helaena, he knows they are all he has left.

“Do not mourn me, mother,” he says softly, rising to comfort her, though unsteady on his feet as he adjusts to his partial sightedness. “I may have lost an eye, but I have gained a dragon.”

A scar mars the flesh of Aemond’s face, but also ravages its way through the Targaryen family. Rhaenyra and her children leave King’s Landing, settling upon Dragonstone with Daemon and his daughters. Meanwhile, the health of Viserys continues to decline and the instances he is not bedridden grow fewer. Aemond does not miss his presence.

Worry hangs over his mother, a permanent shroud of anxiety, while Aegon becomes more debaucherous, sinking further into his cups with each passing day. Helaena retreats deeper into herself, rarely speaking unless spoken to, and bristles at any initiation of physical touch.

Slowly, Aemond heals, though it is not without struggle. He must learn to do everything anew. His favourite books become a chore to read, no longer able to pore over their pages for as long without suffering a terrible ache in his head.

Criston has to begin his training with the sword all over again. There is a newfound blind spot to account for when he fights. Not only does he have to learn how to balance, pivot and wield his weapon with accuracy, he also has to develop hyper vigilance and an acute awareness of where his opponent is at all times, to prevent them from drifting to the side from which he cannot see, and besting him.

Even flying on dragonback is difficult, though he only has one flight to compare it to. He learns fast, and is grateful that Vhagar’s advanced age makes her placid and more forgiving than a younger mount might be. When Aemond is airborne he can almost forget his disfigurement entirely, until he returns to the ground and the world is half blackness once more.

It is enough to make Aemond want to scream in frustration and give up at times. However, he is accustomed to a life of feeling out of place, of having to work harder than everyone else to prove his worth. There is nothing to be gained from a defeatist attitude, so he hardens himself to the challenges he faces, determined to be better with one eye than he was with two.

If his vision of the world is now limited, then he will simply expand his mind beyond that. He loses himself in tomes of history and philosophy, ignoring the dull pain that plagues his skull as he reads into the small hours.

In the training yard, he is quick to learn to keep Criston within his line of sight at all times, and wields his sword viciously, relentlessly, always striving to be faster, stronger, more precise. The proud look upon the Knight’s face means little to him now. The only person he means to prove anything to is himself.

He reasons that a warrior must appear as fearsome as they fight, and takes to wearing a sapphire in the empty socket of his eye, when it is not covered by a patch.

The single matter that Aemond is never able to quite grasp is that of the fairer sex. Aegon has always seemed to have an overly indulgent interest in women, moreso what lies between their legs, but he has never understood his brother’s obsession with fornication. He has read about the mechanics of it in books, and the idea makes his lip curl in disgust. However, he reasons that Aegon is older, and perhaps his own appetite will develop in much the same way as he ages.

Aegon reasons that women’s skin is soft, they smell nice, and when you find one that has the perfect pair of tits and legs then there is little else that matters. While it is agreeable to Aemond that women are indeed more pleasant to look upon than men, he questions why he should not take an interest in their education or how they like to pass the time. His brother argues that once you are sheathed inside a woman, it is not what is in their mind that matters in the slightest.

Upon Aemond’s thirteenth name day, Aegon slaps him on the back and informs him that it is “time to get it wet”. The very idea makes his guts churn with unease, yet he dons the clothes of common folk just the same, pulling a hood over his head, and allows his brother to guide him to the Street of Silk.

The walk through Flea Bottom reeks of urine, with men staggering half drunk through the narrow cobbled streets, while women in varying states of undress beckon them forward into darkened hovels. Aemond keeps his head bowed, dreading what is to come, and is thankful when the establishment that his older brother guides him to looks slightly more respectable than the half a dozen they have passed by already.

The pleasure house is dimly lit and the heady scent of cheap perfume burns his nostrils, though it barely covers the smell of another undesirable stench that he assumes is the byproduct of what goes on here. He half wonders if it will stick to his clothing, much like the smell of sulphur and ash does when he returns from dragonback. He sincerely hopes not.

His throat runs dry when Aegon staggers away with a busty woman, full of giggles, leaving him alone. The brothel’s madame has a kind smile, though it does not meet her eyes, and when she places her hand upon his shoulder it makes him shudder. He feels her touch there like a brand long after she has taken it away.

“Choose any of my girls that you like,” she tells him.

Timidly he eyes all of them. He wants none of them, but how can he say that?

When he hesitates, she chooses for him, pushing him towards a room with a girl that cannot be much older than he is. Her hair is the colour of straw, her skin reeks of the same perfume that lingers thick within the air, and there is wine upon her breath.

The fireplace burns low in the room as he lays upon the bed, and he keeps his eye fixed upon it until it is over. He has enjoyed none of it, the finish feeling little more to him than the satisfaction he experiences when scratching an itch. He cannot understand why Aegon makes such a fuss about it, if that is all there is to it then he never wants to partake in such an act of vulgarity ever again.

He leaves without saying a word, and walks as quickly as his legs will carry him back to the Red Keep. In the bathtub that evening, he scrubs until his skin is red raw, wanting nothing more than to erase every trace of what he has endured that day.

When he is served his favourite meal for his name day feast, roasted haunch of venison, he finds he has no appetite. Sickly perfume fills his nose and turns his stomach, and he leaves his plate untouched.

From that day forth, Aemond decides that he has no taste for depravity, and dedicates his time to reading, training with the sword and taking flight on Vhagar. Despite the nagging ache at the back of his mind that Aegon is set to succeed their father when he passes away, despite neither wanting nor deserving it, he feels a sense of fulfillment in knowing that he is making both their mother and House Targaryen proud.

There are few books in the Keep’s library he has not read at least twice, and he trains daily in the yard with Criston, now at a point where he is the victor in almost every sparring match.

The years pass, and Aemond is content with solitude, assuming that is his lot in life. Fire and blood course hotly in his veins, and in spite of his disfigurement he feels every inch a true Targaryen.

Viserys deteriorates to the point that Aemond’s grandsire and Hand of the King, Otto, now oversees most of the royal duties, and he has begun in earnest to plan with Alicent for Aegon’s eventual coronation. It comes as no shock to Aemond the day that he is beckoned to the Small Council Chamber, though he is surprised to find it is just his grandsire that sits at the table, there is not even a cup bearer present.

“I trust you are aware of the plans to crown Aegon once your father passes?” Otto asks, once Aemond is seated in the chair nearest to him.

Aemond sits up straight against the backrest, long legs stretched out and crossed at the ankle, as he regards Otto impassively. “I am.”

“Good,” Otto nods, clasping his hands in front of him on the table. “Then I am sure you must know of your own duty to the realm.”

Aemond purses his lips, eyeing the older man carefully. “I will do what I must to ensure Aegon’s claim to the throne goes unchallenged.”

Otto sighs, leaning back and regarding Aemond with a twinkle of amusement in his eye. “Rhaenyra is sure to challenge your brother’s birthright, as your father foolishly named her heir, but there are means to remedy that.”

Aemond says nothing, waiting for Otto to say what he means. He watches as he fills both their wine cups, before setting the jug down. He takes a deep drink from his own, but Aemond leaves his untouched, wishing his grandsire would just get to the point.

Otto clicks his tongue before continuing. “To strengthen Aegon’s claim, we must curry favour with the other Great Houses of the realm.”

Aemond lowers his gaze, fingers drumming absentmindedly on the armrests of his chair. “You wish for me to marry.”

“Yes, Aemond, you are to be betrothed.”

The tone of voice in which Otto says this has such finality, it sounds as though a match has already been decided. His eye flickers upwards to meet the unyielding gaze of his grandsire.

“To who?”

“Your mother and I thought it best not to present you with suitors, we know you would not enjoy such a spectacle.”

You know all of them would take one look at me and be horrified by the very notion of being married to me.

Otto continues, “So we have chosen for you. The daughter of Lord Rickon Stark, Lorra. She is a pretty girl, and having the allegiance of a Great House of the North will weaken Rhaenyra’s claim.”

Aemond stays silent as his mind races.

House Stark. Their sigil is a dire wolf, their words are Winter is Coming.

Beyond that, he knows nothing of Northerners, what could he possibly learn about his betrothed from a book anyway?

He wets his lips, resigned to his fate. “When?”

“She will arrive in King’s Landing in two weeks, so that you can begin your courtship of her.”

“I will do my duty.”

“I trust that you will.”

Aemond retires to his chambers for the remainder of the day. He had anticipated that he would have to marry to form a political alliance at some point, however, the thought rattles him all the same.

He is a solitary creature by nature, what on earth will he do with a wife? He supposes life will stay much the same, if his mother and father and Aegon and Helaena are to be used as examples - both couples married, yet living entirely separate lives. It is a mere formality. He will not be expected to spend time with her.

They will be expected to produce heirs, however. Nervousness swirls in his gut at the thought. He does not want to endure what happened to him at the brothel each time he couples with his wife, yet he cannot leave her childless either.

Lorra is a highborn lady, however, not a common whore, so perhaps he will be able to find pleasure in the act. Doubt niggles in his mind as he ponders his inexperience. A Prince must know what he is doing if he is to produce children, and Aemond possesses neither experience nor interest in the act of procreation. He will need to prepare if he is to perform his marital duties as anticipated without embarrassing himself or his wife.

The thought of returning to Flea Bottom makes him shiver in revulsion. He has no desire to part with coin for an act that sickens him. He will need to find an alternative.

There are plenty of maidservants around the Keep who are pretty enough, and of a similar age to him. He does not wish to be like his brother, however, and will not take what is not freely given. He has observed the way that Aegon expresses interest in the women that attend to them during mealtimes and decides to deploy some of the same tactics, though in a much more subtle manner.

At supper the following evening, he spots a young woman who is pleasing to him. She has a slender neck and pretty face, her large eyes framed by thick lashes. He watches her carefully as she rounds the table, filling each cup with wine, and when finally she approaches him, he deliberately reaches forward, his fingers brushing the soft skin of her wrist as she pours from the jug she holds. She glances down at him and he looks up, holding her gaze, the faintest of smirks on his face. A slight blush creeps up her neck, dusting its way across her cheekbones and he knows she is interested.

He spends the rest of the meal catching her eye whenever he can, and when the evening draws to a close, he lingers in the doorway, beckoning her with the slightest tip of his head when she looks at him, before walking back to his bedchamber. Aemond does not have to wait long for the knock at his door.

“Your grace, will you be needing anything else this evening?” She asks with a polite smile.

He closes the door behind them, steeling himself before turning to face her. “You understand why you are here?”

She nods, reaching up to cup his face as she leans in. He turns away, pulling back slightly.

“I have no need for you to kiss me.”

She nods in understanding and moves towards the bed, slipping out of her clothes. Aemond stands in silence as he watches her disrobe. She is attractive to look at, much more desirable than the girl he had coupled with in Flea Bottom. Smooth skinned, with subtle curves and firm breasts. He wonders how many others have looked upon her in the same manner that he has.

“Lay down,” he instructs her, once she is fully bare before him.

She moves to position herself face down, but Aemond steps forward, halting her actions.

“Let me look at you.”

“As you wish, your grace,” she whispers, blushing again, and repositions onto her back.

Aemond stands over her, his eye raking over her form as he takes in the way her chest rises and falls with every breath, the way the narrowness of her waist expands outwards towards her hips.

Tentatively, he reaches forward, fingers trailing lightly over the plush flesh of her inner thigh, tugging gently.

Obediently, she spreads her legs and he sucks in a breath at what glistens between them, curiosity guiding his actions as he spreads his fingers through the slick folds. She sighs in pleasure, and he looks back up at her face. Her lips are parted, eyes hooded with desire. Admittedly, though this is a much better experience than what he’d endured when he was thirteen, he still feels little in the way of excitement. Aemond appreciates that she lays there quietly, however, allowing him to take things at his own pace, and he feels his body respond to her regardless of his lack of emotion.

When his cock strains almost painfully against the lacings of his breeches, he unfastens them, crawling over the maidservant to cage her body in with his. She feels better against him than the whore had, her skin is more supple and her scent not quite so overpowering. He grunts as he pushes himself inside of her, her tight, wet heat gripping every inch of him as he slides forward.

The inside of her is different from the grasp of his own hand. Aemond is no stranger to the act of self pleasure, using it as a means to clear his mind or lull himself to sleep on nights when rest evades him. It is not a carnal act for him though, he simply focuses on the sensation, guiding himself to release. Despite the pleasant warmth of her body, he does not feel driven to desperate passion as he had anticipated, as he has so often heard Aegon describe.

As he rocks his hips into hers, back and forth, the growing ache he experiences is nice enough, but it does not light a fire within him. He is simply rutting against another person. The dulcet sounds that fall from her lips as he pistons into her sound too performative, and he feels resentment as he looks upon her face, just wanting to put an end to it.

He speeds up, and her sounds grow louder. Annoyance prickles at his skin.

“Shut the fuck up,” he hisses.

She falls silent and the room fills with the sound of the slap of his skin against hers, until finally he spills inside of her with a quiet gasp. He is quick to withdraw from her, standing and tucking himself away.

“You can go now,” he tells her, turning away.

He doesn’t watch as she dresses and quietly leaves his chamber. Aemond feels disappointment that he is unable to derive pleasure from such a carnal act. He has read that it is supposed to evoke excitement within a person, and from the way Aegon behaves he knows it is certainly true. So why does such a feeling evade him?

It matters not, he supposes. He will treat his wife in the same way he has the maidservant this evening. He will not take her by force, and he will be gentle with her. The act will be for the sole purpose of producing heirs, besides that they will live their lives as they please. He did not choose her, and she did not choose him, so he is confident that this will be an arrangement she finds satisfactory.

The next two weeks pass by without incident. Aemond reads, he trains and he flies, and thoughts of his betrothal scarcely enter his mind.

Upon the day of Lorra’s arrival to the Red Keep, he gathers in the Great Hall, with Alicent, Otto, Aegon and Helaena to greet her upon her arrival. He stands straight, hands clasped firmly behind his back, eye scanning the room impatiently. He hates the formality of it all, and wonders what could possibly be taking such a long time.

He will, of course, be dutiful and stand here for as long as necessary, but irritability simmers within him as he exhales heavily through his nose, wishing to be anywhere else right now, the library, the training yard, on dragonback. Such a display seems wholly unnecessary for an arrangement that is a mere formality.

When finally the doors open to the steps that ascend into the Hall, he faces forward, eye fixed upon the Kingsguard that file in. Until he sees her.

Draped in a cerulean cloak, trimmed with grey fur, she seems as though she is floating, rather than walking as she approaches. Her ivory skin is tinged with the faintest of pink against her cheeks and the curls of her ebony hair are braided down her back.

Aemond’s throat runs dry, his heart pounding quickly against his ribcage, and he realises he is holding his breath. The last time he felt such a powerful combination of fear, awe and longing had been the night he had first laid eyes upon Vhagar. It unsettles him, and he is grateful that his hands remain behind his back, otherwise he is certain that she would be able to see how they tremble.

“Lady Lorra of House Stark,” comes the announcement to the Hall, but it sounds distant and far away to Aemond as he stands, transfixed by her.

His blood pumps like liquid fire through his veins. Her eyes, so blue they could almost be sapphires, meet his and he feels a shiver run through him. After a lifetime of resonating in the warmth of flames, he is chilled by the ice that is reflected back at him.

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jewelulu · 4 months ago

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La Extraordinaire

Event overview

A show-stoping theatre on Sage’s Island has just opens its doors to the public! La Extraordinaire is an all new sensational theatre-restaurant, that offers endless forms of live entertainment whether it’s through music, singing, dancing, comedy or magical performances, there’s no limit to what can be shown on stage. Along with the serving of delicious foods, the theatre is a high end experience accompanied by its own unique dress code for its guests.

With this grand opening, the theatre has opens its doors to several students from both NRC and RSA to attend and enjoy the beauty of the theatre. However four students have been selected to not only enjoy the theatre’s performances but to be a part of the list of acts that will take place. The students selected to perform on stage are Deuce Spade , Rook Hunt, Jamil Viper, and Lilia Vanrouge. The selected students are allowed to decide on whether they’d like to perform in pairs or as a soloist. There’s no rule to what their acts can be so long as they come prepared to entertain and wow the crowd.

But where do yuu fit into these performances?

A special invitation has been given out to yuu, (and Grim of course after his insistence to tag along his henchmen) one that not only allows them to be a guest and spectator of all the performances but to join the stage should they choose too.

Event Rules

This event is for to everyone to participate and enjoy, however let’s keep everything PG-13

Oc’s, Yuusonas and Canon characters are all welcomed!

Feel free to draw, make fics, edits and much more! Create as much as you’d like!

Use the tag #la extraordinaire and @ or tag me in the posts too! I’d love to see what everyone comes up with!

No deadline!

Dress Codes

From neat and elegant to bold and flashy, all guest are asked to dress in accordance to the theatre’s theme! Whether your simply here to enjoy the show or if you’re also taking part in an act , you can choose if you’ll stay with one set of clothing or change when performing

(A small a clash between 1920-30s fashion and theatre/circus attire )

OC & Cannon Characters

Jewel Imerladi - Groovy

Deuce Spade / Rook Hunt / Jamil Viper / Lilia Vanrouge (To be added….)

The Guest List

Carla Coquille / @the-rini-rush

Constance Sanderson / @theolivetree123

Yumiko Akinori / @emillydepiatti

Rowan & Damian Sykes / Groovy / @readsrandomstuff67

Yuliya Shelby / full-body / @valse-a-mille-temps

Ellis Clawthorne / @starry-night-rose

Background

If anybody would like to make card theses backgrounds are available!

Not my art I simply edited them from the movie

Go all out for your design, whether you’re a guest or/and a performer. If you choose to perform, what you’d like your act to be is entirely up to you. Be bold, be flashy and as extra as you’d like, and be prepare to wow everyone.

Enjoy the show ~

This event is based off both A Monster in Paris and Jack and The Cuckoo Clock Heart

Boarder credits to: @saradika

#twisted wonderland #twst fan event #twisted wonderland fanevent #la extraordinaire #a monster in paris #jack and the cuckoo clock heart #twst event #ace trappola #rook hunt #jamil viper #lilia vanrouge #twst oc #twst fanart

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logicpng · 1 year ago

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hi! so a quick note:

recently i've been drawing a lot of these guys

these are my OCs. their collective name is Aster, and as they share the body they have their own names: Rigel, Vega, and Aldebaran respectively

they are undeniably inspired by FNAF's daycare attendant and some of their fanon interpretations, being originally characters in a DCA AU. the reason why they are no longer DCA is because i felt like their characterization is currently a little too far from canon DCA.

while i feel like i've moved sufficiently away from their original counterparts (though visually still working on it, and i wasn't able to post much writing as them yet), i genuinely can't fault people for mixing them up with DCA, especially given how varied appearances in AUs can be

that being said, please do not tag them as FNAF, an AU of it, or Daycare Attendant and the like, just to avoid confusion in whoever is unfamiliar with either my work or DCA's fandom. whether it is because the designs aren't very original or it's a genuine accident, i would appreciate that a lot. thank you

#not art #CaelOS #aster #rigel (aster)#vega (aster)#aldebaran (aster)#obviously i can't really stop people! but at least i can have a public stance on it rather than just expressing discomfort in private #daycare attendant is more like aster's grandpa to me :')

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mod-jazzy · 2 months ago

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I was asked so! Here are my silly lil prompts for my personal month challenge thing!!!

NOTE: This is not a official thing or what have you, I was just asked to share the prompts for my lil self challenge, so I am! This is my own personal little challenge because I've had these prompts since 2019 and I want to use them

I'll put under a readmore because it is... like. 30 things lmao

Day 1: First Askblog OC The first blog OC you made! Day 2: Most recent askblog OC Can be a side or main character, just the most recent OC you've made for a blog! Day 3: The Modsona Draw your modsona! Self love n all that Day 4: Redraw a silly/funny askblog panel Find a old silly/funny or shitpost panel from one of your blogs and redraw it! Day 5: Evolution scene Draw your OC evolving! Can be past event, future event or something that already happened for a silly redraw! Day 6: Blog Swap Draw one of your blog OCs as a character on one of your other blogs! If don't have more than one blog, switch up their role with someone else on your current blog! Day 7: Favoritism wins Draw your absolute favorite OC from your blog! Indulge a little Day 8: "Nothing bad happens" What would your OC look like if their plot had nothing bad happen Day 9: Redraw a sad panel Redraw a old sad panel! Last prompt was too cheery, redraw that angst with your updated abilities! Day 10: Favorite Magic Anon Blast from the past, relive that glorious magic anon Day 11: Easiest OC to draw Draw that easy fellow, relax a little! Day 12: Difficult OC to draw Back on that grind, draw that one guy who is the absolute most difficult for you!! Day 13: Redraw your least favorite panel We all have that one panel that just, didn't come out right. Try again! Maybe it'll be nice to see your improvement.. or maybe you'll hate it again. Anyways, chop chop Day 14: Injury Draw that dramatic/important injury your character went through. Past, present or future! Day 15: Beach episode What it says on the tin, we love a filler episode. Can be plot relevant but hey, they deserve to relax too Day 16: Favorite blog Draw some fan art for your favorite blogger! Whether they are a friend, inspiration or what have you! Extra challenge: redraw some old fan art you did for them Day 17: Plot Changer That one moment... the thing that made everything twist. That really hit a hard turn in your storyline! Can be past, present or possible future! Day 18: Scrapped Idea What was that scrapped concept again? Or was it a character.. or even something as silly as a slight design change? Day 19: What's a God to a Blogger Most of us have that one god. That one important guy in the sky... or the ocean.. or under a truck... man pokemon is weird. Day 20: Canon Compliant Stylization is so interesting and unique!... but strip that away. Be close to pokemon canon. Day 21: Shiny Beam A easy one... make that little guy shiny!!... Oh they are already shiny?... well then undo that. Silly. Day 22: Dream interaction What's a interaction with your characters that you would really love to see or are excited for? Can be within your own storyline or a interaction with someone else Day 23: Real World Sighting Draw your OC(s) in a real life photo! Bonus points if its a photo you took. Take this chance to go for a nice walk and take some pretty pictures!.... touch grass. Day 24: A spoiler that.. wouldn't make sense to others That's right. Be vague. Spoil a little bit in the most vague manner. It's always fun to see others speculate. Day 25: In blog ship Draw your favorite ship within your own blog! Friendship/romantic ship/hate ship... Just whatever one makes you smile Day 26: Out of blog ship Same prompt as 25.. But with your OC and someone ELSE'S! again, friendship/romantic ship/etc etc! Day 27: Different Art Medium! That's right. Draw/sculpt/etc your OC in a different art medium than normal. This will either be fun or horrifying for you Day 28: The Inspiration VS the OC Draw your OC with their inspiration! Can be the storyline that inspired them... or the character that desired them! Etc etc Day 29: Song drawing Yeah that's right. Draw your OC/Blog with the song that you associate them with! As a treat Day 30: Redraw first blog post / Thank you Cliche ending alert!! Redraw your first ever askblog panel you have ever made. Not the first post on a more recent blog.. no. THE FIRST ONE. EVER. Or be corny and draw a heartfelt thank you to all of your friends and followers you made Or hell.. maybe even both

#BlogTember

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zenkindoflove · 1 month ago

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Thank you <3

Now that Pull Me in Deeper is over, I wanted to take some time to thank a lot of people. Writing and posting this fic has been an amazing experience for me. It has changed me as a writer in so many ways, and I couldn't have done any of it without the support of so many people along the way.

(warning: overly emotional sappy rambling. I'm sorry if I forgot someone!!! to be honest, so many people have been supportive of me and popped in and out of this experience and you all have left an impression)

First, I wanted to tell you guys a little bit about my experience writing this fic.

I had never written Canon x OC before I created Alexius in Summer Heat. I've primarily been an OTP fic writer, focusing on one couple per fandom that I would fixate on. When I started Summer Heat, I really wanted to explore as a side story of Eris in a relationship, and for me, the only person who kept popping up was someone like Alexius. Summer Heat was a safe zone to play around because I got to develop him and his relationship with Eris while still focusing on Elucien. When Summer Heat was over, I got the idea to write Pull Me in Deeper because I wanted to explore whether Eris x Alexius would be able to carry their own story on their own, and I wanted to challenge myself by writing a fic that mostly contained original characters.

There was a lot about this experience that was new and challenging. Writing only Canon x Canon ships and those that were really popular in fandoms did not prepare me for some of the trials and tribulations that come with writing Canon x OC fics. You often feel like you are on your own island, separate but adjacent to the fandom. You hope that people on their boats passing by will stop and visit you. Maybe stay a while. Sometimes, I will admit, I felt lonely, especially in the early days of writing this story. I went from a very built in community of shippers who loved the ship for the ship and we could squee together about how adorable our OTP was - to basically trying to convince people that Alexius was a worthy partner for Eris and worth taking a chance on reading about him. So I gained a whole new respect for the Canon x OC parts of the fandom, and I'm happy I can count myself among you now.

To say it frankly, I've grown so attached to Alexius and his relationship with Eris over these last several months. He is very real for me now. You really can't spend this much time living inside of a character's head and being committed to their HEA and not adore them. Not only is he a representation of so many people in this world that I love, but he also has given me so much confidence in my ability to create original characters. In the past, when I have sat down and tried to writing original fiction instead of fanfiction, what always held me back was creating characters that felt like real people. After Alexius, I feel sure now I know how to do that, and for that, Alexius will always be my baby. Please know, as long as I'm writing ACOTAR fanfics, Alexius will be in them and there will be more in store in the future for Eris x Alexius centered fics (more than there already are lol). Eris x Alexius is my Eris OTP and now that I have the Eris bug, I won't be stopping.

Okay now to shoutout some specific people:

@crazy-ache - You have always been there for me in every stage of my ACOTAR fanfic writing process. Thank you for telling me early on, when I felt guilty for this fic expanding so much and taking so much of my focus, that it was okay for me to branch off in this direction and leave Elucien on the shelf for a while. I really needed to hear that then. And thank you for always being up for reading my first drafts, brainstorming through scenarios and plot, and just being my cheerleader. I love you, and I really cannot ask for a better writing partner and friend.

@lucienarcheron - The very first time I ever had the instinct to write Eris with an OC, I ran to you for advice. You trekked this path long before many, many people, and you have been instrumental in me taking a chance. Especially seeing all the hard work and focus you've put into Spirit Meets the Bones really inspired me to want to write an Eris x Alexius solo fic. So thank you so much for being an Eris x OC mentor of mine.

@thrumbolt, @works-of-heart, @bonecarversbestie, @little-fierling - Thank you so much for creating fanart either of Eris x Alexius or inspo from this fic. You all have also been such amazing commenters on the fic itself, leaving insightful, smart, and hilarious feedback. It's so rewarding to have readers who are driven to create based on something you made. And it really helped me in times when I've been down or unsure of myself, that there were people out there who thought enough about my fic that it inspired creativity in them.

@olenvasynyt - your long comments and even longer voice notes that you've left me in DMs have been such a treasure. I especially love the head canons and little snippets you have shared with me about your own Male OC that you have created for Eris. It's such a small community that we are in, and I really can't wait to meet him too. I love that we both have such a strong love for the Autumn Court and creating OCs.

There was quite a few people who started reading PMID because they were familiar with my Elucien fics and got to know Erixius in Summer Heat. I really appreciate all of you who migrated over and decided to go on this adventure with me!

I also had a group of people who really surprised me joining on and reading this fic, and that is the Azris shippers. @the-darkestminds, @jules-writes-stories, @mistandmemories, @constantsins I have ] always enjoyed your expressive, thoughtful, and analytical comments and words of encouragement you have given me. I especially want to shout out @the-darkestminds because I really do think that you helped my audience grow. If you weren't reblogging my chapter updates, a lot of people who are interested in reading about gay Eris wouldn't have seen my fics at all. In my head, Azris shippers only gave this a try because they love you and your work so much. They trust your tastes so they felt if you liked this fic, maybe they would like it too. You have always been such a good friend to me (especially tolerating me even though I don't like Azriel lmao) and I can't thank you enough.

I also want to thank a lot of people who have been with me throughout this entire journey, reblogging my fic and leaving amazingly thoughtful and inspiring comments on my chapters: @clockwork-ashes, @what-about-elvenis, @lovely-vanserra-sunshine, @teddyhoneybear, and all of the people on AO3 who I don't know if you're on tumblr! Comments are everything to a writer, and please know that anytime I received a comment from you, it made me want to write the next chapter so see what you would think about the rest of the story.

There have a lot been a lot of people who have liked/reblogged/or occasionally stopped by to chat with me about this fic or Alexius as a character. While I can't list everyone, please know if you reached out to me, I was always so moved and excited to talk to you. And anytime you want to talk to me about these characters, please do not hesitate!

I know this is very extra - but I really felt it was appropriate to get this sentimental about this fic compared to others. I really put a lot of myself into this story, and the emotional journey and growth as a writer I went on felt like I needed to give back to all of the people who were there encouraging me to not give up. Thank you, thank you, thank you!

#eris vanserra #eris x oc #eris x male OC #OC: alexius #eris x alexius #erixius #erixius supremacy #eris vandaddy #eris acotar

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